Monday, 3 June 2013

Uncertainty of Peer-assessment

After marking the group assignment, I was surprised by the low mark given by most of the students to their peers. This prompted me to reveal the scores on Facebook course group so that the students understand the complexity of being judged by others—assessment is a combination of subjective, objective, relative and emotive judgment.




As predicted, when students knew how others judged them, they began to argue on issues related to peer-assessment. I managed to moderate the situation to avoid aftermath conflict. One issue that is worth highlighting: when this course is offered without prerequisite, there is no such thing as "senior" or "junior", i.e. every student is treated as blank slate--John Locke's Blank Slate Theory

In fact, this learning process is very useful for the students to realise what would happen when they join the creative industry later in their life. They have to compete with all designers, regardless of their social, academic and economic background. Everybody is on the same arena to judge each other's work. To gain high score, you need to work hard to EARN it, not really because you are senior that you deserve higher mark, or vice versa.

Saturday, 11 May 2013

Assignment 2 of Semester 2 (2012/2013): Competition Design

I participated the Malaysia Technology Expo 2013 in Putra World Trade Centre (PWTC), Kuala Lumpur between 21 and 23 Feb 2013. One thing I learned from this event is that judging from the financial perspective, the REAL winner of the expo is the organizer, rather than those who won the best awards. For instance, UPSI spent over RM100,000 to participate in this expo, and the cost includes the rental of exhibition space and the construction, decoration and maintenance of the university booth. The printing of A1 size posters, the transportation and the accommodation of exhibits, participants, demonstrators, etc, really cost a lot of money. What's more, UPSI's booth was one of the smallest as compared to other public universities in the expo.

This experience prompted me to make "competition design" as the second assignment of this course. This group assignment requires students to design a competition where they can prove their acquisition of knowledge and skills in Design Aesthetics.


To begin with, I guided the students to form a group that consists of 12 to 13 people in which each of the members choose one role listed in the Belbin’s team role theory (see Fig 1). I randomly chose team members for all the team, despite receiving fierce resistance from the students. Among the 123 students I have in this course, there were repeated students, students in their 5th, 4th, 3rd and 2nd semesters. They preferred to work with those they like or used to work with. I justified that in real life, we don't normally work with people we like or prefer; worse, we constantly have to work with people we dislike


Fig 1: Belbin's team role

After accepting the fact that they have to work with whoever I assigned to the group, the students began to form Facebook discussion groups to discuss and negotiate individual workload. They have to answer the following questions collectively: 
a.       What is the competition?
b.      Who are the targeted participants?
c.       When would the competition be held?
d.      Where would be the competition be held in UPSI?
e.      Why would UPSI organize the competition?
f.        How to evaluate the entries of the competition?

I observed what they had done via Facebook group and arranged for the assessment of their proposal presentation. To make sure every student contributes to the group work, I insist to have each student presents for 2 minutes, explaining how they play their role in the group. Other students who play the same role as the presenter were guided to assess the performance of the presenter. This forced all the students to become attentive to every presentation. 

They had to present:   
a.       The competition proposal
b.      The list of potential judges in UPSI (with justification of qualification and experience)
c.       The evaluation forms:
                                                               i.      Aesthetic evaluation form
                                                             ii.      Creativity evaluation form
                                                            iii.      Other appropriate forms

Wednesday, 1 May 2013

Meanings of "Beautiful" in various languages

My lecture on beautiful has reached a bottled neck as it becomes repetitive to me to explain the same thing for the fourth time. In this semester, instead of me lecturing about what does beautiful mean, I asked several students to share the meaning with the class.

Beautiful in Tamil: —அழகான (pronounce as 'alege'): It is meant only for female.

Beautiful in Arabic: 
—جميل (jamil) for male 
—جميلة (jamilah) for female
Beautiful in Bahasa Java:—Ayu: gadis ayu
—Apeik: for things

Beautiful in Brunei: Bisai (for female, menyeluruh)
Beautiful in Kedayan: Lawa (for female)

Beautiful in Kadazan - Dusun language
The sharing was followed by two Kadazan - Dusun students, they explained the following:
  • —Olumis / olundus / Oligang / olidang(Dusun(Dusun): for both gender (more towards female) 
  • —Awantang (Dusun): specifically for male / handsome 
  • —Ogingo / awanus (Dusun): for things (in Tambunan, Papar and Penampang areas)


Fig 1: Areas where Kadazan - Dusun live in Sabah. 

When I google-ed the word "olumis", I found this photo matching the concept of olumis and Sabahan.
Fig 2: Miss Earth Sabah Top Four at Olumis Borneo Batik House. Source: Rungitom Life

Beautiful in Iban Language
—Bajik : for female, berasal daripada satu mitos, mengenai seorang perempuan yang bernama ‘Kumang’
—Sigat: for male, pasangan Kumang, namanya ‘Keling’


Fig 2: Miss Kumang Gawai Festival 2013, Natalie . Source: New Sarawak Tribute.

Fig 3: Mr Keling Gawai Sibu 2013, Mr Kevin Kedit. Source: Borneo Post Online


Beautiful in Chinese Language

Do read this article: 《不懂羊就不懂中国人 武汉学者详解羊的传人说》

Tuesday, 23 April 2013

Justifying whether a given matter is an artwork or not

I began to receive sms and FB messages after announcing to students that I am going to have the mid term quiz today. Some of them chasing me virtually for tips and scope of question for revision. However, I asked them not to worry and there is nothing for them to prepare. One of the student replied my sms and said, "lecturers never say exam difficult de lor..hahaha!" Some were asking for their learning journals as they intend to do revision. Again, I told them that revision isn't necessary.

In fact, I always say my paper (in exam) is very difficult. And this was proven in previous semester and students whom had taken this course scared their juniors about how scary I am. Yes, I am. You need to memorize what you have understood and then apply those knowledge flexibly to score in my paper. That is a level 1 to 4 requirements in cognitive domain of learning. Students can never depend on luck or common sense to score in the paper.

The quiz I gave was relatively easy. I prepared a one slide PowerPoint that contains 30 items. And then I prepare blank writing paper with number, and each student has to determine whether the item he or she received is an artwork or not, and then justify why it is or isn't artwork. Students cannot copy the answers of those sitting around them as he or she doesn't know whether they got the same item or not. Furthermore the question is rather open-ended.



So good luck!

Friday, 29 March 2013

Happy Birthday to me in the lecture hall...again

Fig 1: Having a photo with Bachelor of Design (Animation) students after my lecture. Photo taken by Chan Wee.

Fig 2: Having photo with Bachelor of Design (Advertising) students after my lecture. Photo taken by Chan Wee.

Today is my 33rd birthday. I was surprised by my students whom arranged in advanced by contacting Yanzhen. Many thanks to my dear students, wish you all quick quick be my boss!


Friday, 22 March 2013

The Power of Saliva in Practice

Fig 1: Selling products to me. Photo taken by Apple Looi. 

I was tagged in Facabook and then I realised a student of mine wrote the following as the caption of the above photo:
thank you our "client", Dr. Tan for supporting us by buying 5 of our "products". we really appreciate it! and dear Dr., we already prove that the "power of saliva" and "sympathy face" is really work!!
This reminds me of my lecture about Empathy and James-Lange Theory of emotion. The students who were taking Entrepreneurship course were instructed to sell nine boxes of fruit jelly. They managed to touch my heart by showing pity face. Ok, they have practiced what I taught them on me, and it worked!